Books
Memoirs, business and idea-driven nonfiction, and novels—from an early premise to a manuscript that knows exactly what it is.
- Memoir
- Business & ideas
- Fiction
Work and development experience with
Ways to work together
The medium changes. The job does not: find the pulse of the thing, build the right shape around it, and make every sentence sound like it belongs.
Memoirs, business and idea-driven nonfiction, and novels—from an early premise to a manuscript that knows exactly what it is.
Features, television, and digital series, with particular attention to structure, character, and dialogue that earns its place.
Short stories, essays, articles, and sharp pieces of copy—small canvases without small ambitions.
Original projects that combine story sense, product thinking, and new creative tools. The point is the work—not merely spelling A.I.
Selected samples
Screenplay openings, complete short stories, and carefully chosen book excerpts. Ghostwritten work is shared with permission and anonymized.
Crime thriller pilot
Southern crime-drama pilot
Period legal-drama pilot
Literary novel
Commercial thriller
Ghostwritten memoir
Ghostwritten business book
Literary speculative story
Dark comedy / crime story
Commercial short story
About Russell
RGPoker player. Advertising strategist. Television writer. Ghostwriter. Less a career ladder than a collection of ways to understand what people want, what they hide, and what keeps them turning pages.
Russell broke into television as a finalist in the Warner Bros. Writers' Workshop competition and went on to work with companies including HBO, A24, Mattel, Gaumont, and ABC. He has been represented by CAA and LBI.
Today, he collaborates with clients on projects ranging from memoirs and novels to screenplays, campaigns, and experimental AI products. He can help shape the idea with you—or take the reins and bring back a draft.
“I only take on projects I genuinely care about. If I'm not the right person for yours, I'll tell you.”
From ambiguous to inevitable
What is the idea beneath the idea—the part a reader will actually care about?
Structure, voice, stakes, and pace: the invisible architecture that makes a story work.
Draft, revise, sharpen, and finish without sanding away what made the project yours.
Have a project in mind?